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Tell Them To Be Quiet

02/25/08

Permalink 05:38:59 am, by dissidens Email , 494 words, 326 views   English (US)
Categories: Old Main

Tell Them To Be Quiet

There is an almost insuperable hostility among church people toward culture.  It is conventional to blame this attitude on the fundamentalists. Inasmuch as they have scoffed at culture, swaggered across every stage that would hold them to speak condescendingly about beauty, and since they have flaunted their homespun, poorly-executed diversions, the accusation has stuck. They worked hard at creating this impression; it seems ungenerous to deny them a paycheck. The man who said "culture is driven by ungodly forces" deserves a handsome bonus in his envelope. Let's not be stingy about this.

But if you think that American religious culture is shaped today by fundamentalists, you need to have holes drilled in your head to let the evil spirits out.

Christianity Today is not the official spokesrag for fundamentalists. John Wilson is not a member of any church that is famous for the Gospel. Todd Fadel does not hold music clinics at The Wilds.

Incidentally, CT has just published its 2007 Readers' Choice Awards. Check it out. Read the thought questions that follow each CT review. There's your enlightened evangelical culture right there.

Think about this for a moment:

Wilson doesn't know what he's hearing and he can't tell us. So he publishes it! He's like a monkey at a chess tournament: he is registering sensory impressions but he cannot explain what they mean. He wouldn't know a Réti opening from a hole in the carpet. He is the "Books and Culture" editor for the magazine of evangelical conviction. And there are pastors and church workers out there who continue reading Christianity Today. They want to know about books, bands and movies. CT is where they go.

Greg Howlett doesn't know what he's talking about either; his appeal is to progress, by which he clearly includes an evolution in the acceptance of dissonance, whatever that could mean.

Garlock makes a ministry out of debasing our tastes. And Garlock is not some Bible Institute sophomore with an electric piano and a burning love for movie music. He is the editor of the fundamentalist hymnal.

Fadel instructs the musically illiterate to participate in alt-worship and then passes it off as "improvisation".

Meanwhile hundreds of fundamentalists around the country gather to giggle at sacred things and make light of God's social order. Is this because they are cultivated enough to understand Oscar Wilde or because they are not?

All of these are excellent examples of people who do not understand what culture does. As Arnold noted, "...our Puritans, ancient and modern, have not enough added to their care for walking staunchly by the best light they have, a care that that light be not darkness; how they have developed one side of their humanity at the expense of all others, and have become incomplete and mutilated men in consequence."

There is a seldom-recognized consequence of being serious: you don't indulge dilettantes and philistines when they speak about sacred things.

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1 Comment from: Metaphysical Realist [Member] Email
Thanks to a friend's advice, I am currently reading Arnold, and just read this passage last night. Arnold was quoting from Bishop Wilson.

Who was Bishop Wilson, and are his writings extant? Arnold quotes him often.

MR~
PermalinkPermalink 02/26/08 @ 04:25

Reply to comment 4750 by Metaphysical Realist

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2 Comment from: dissidens [Member] Email
Bishop Wilson: Thomas Wilson (1663-1755), bishop of the Isle of Man. Details of his life are given in the folio edition of his works (1782). An appreciation of his religious writings is given by Matthew Arnold in Culture and Anarchy.
Bishop Wilson was to have written Maxims of Piety and Christianity published by the Society for Promoting Christian Knowledge. Arnold cites him as an authority and often quotes him; things like “to promote the kingdom of God is to increase and hasten one's own happiness” and, the purpose of culture is “to make reason and the will of God prevail”.

Thomas Huxley claimed that Wilson was an invention of Arnold’s.

I tend not to consider Huxley all that reliable, but it is possible Wilson served as a mouthpiece for a certain viewpoint and as a foil for Arnold’s own beliefs.

I don't believe anything of Wilson's still exists.
PermalinkPermalink 02/26/08 @ 06:50

Reply to comment 4751 by dissidens

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3 Comment from: Go Mann [Visitor] · http://gomanngo.blogspot.com
I always understood from Isle of Man historians that Wilson was real... he's quite a celebrity here.
Try:
http://www.isle-of-man.com/manxnotebook/people/bishops/wilson.htm
PermalinkPermalink 02/26/08 @ 09:47

Reply to comment 4752 by Go Mann

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4 Comment from: dissidens [Member] Email
Thank you for the link. This is what is so right about the internet.

It looks like I have another hero, Bishop Thomas Wilson, an off-shore John the Baptist. It’s also gratifying that Huxley is once again mistaken and that Arnold was so well schooled.

For our readers, I recommend this.

http://www.isle-of-man.com/manxnotebook/fulltext/cm1890.htm

from which comes this anecdote:
The story has often been told hot in the latter years of his life, having given orders his tailor to make a cloak for him, he desired that he would merely put a button and loop in it to keep together" My lord," says the tailor, "what would become of the poor button-makers and their family if every one thought in that way ? They would have starved outright." " Do you say so, John ? " says the Bishop. " Yes, my lord, I do." " Then button it all over, John."

PermalinkPermalink 02/26/08 @ 10:50

Reply to comment 4753 by dissidens

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5 Comment from: Observer [Visitor] Email
Dissidens, what do you think of this effort?

http://religiousaffections.org/content/view/498/31/
PermalinkPermalink 02/26/08 @ 11:29

Reply to comment 4754 by Observer

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6 Comment from: dissidens [Member] Email
Well, of course I think the effort is well-meaning. I’m on record as having said I approve of this. I recommend it. I have even commissioned one of the people named in that very post. I would have to be the last person to disparage what is being suggested.

But having said that, there is a lot to be added. We try to be honest about the state of affairs, but we also have to confront the real nature of the problem we face. Let me put it this way: What will be different if a church, let’s say Inexpressibly Dreadful Baptist Church, commissions a work from Frank Garlock? What will it get? Something different from what he has already done?

I think that is extremely unlikely. We will get more of the sort of thing he has been paid to do for a very unusual university. I think you can anticipate my objections.

So, shall we commission Garlock, John Rutter, or Arvo Pärt? The solution we seek is not in the commissioning of an artist, it is in the work of the artist commissioned. I’m sure this is obvious to everyone. But this is where the trouble starts. We still must learn…
…well to distinguish between true and false religion, between saving affections and experiences, and those manifold fair shows, and glistering appearances, by which they are counterfeited; the consequences of which, when they are not distinguished, are often inexpressibly dreadful.
Tomorrow I’ll post a slice of poetry you will not find written (or set to music) today. It will be as far above last Wednesday’s Townend as Townend was above Garlock.

Now, if we have learned anything at all we will recognize immediately that culture, our culture, has already informed our thinking. It has told us what to expect; it has defined good for us, and here we are about to go out and do something good. I find that a little frightening.

This is why we’ve discussed people like Rookmaaker and Gaebelein. The evangelical church has been in this position before. It has spoken openly about its shortcomings and about its aspirations. We see what was produced in the real evangelical world. Did we get a Watts or a Luther? Likewise with the emergent church which also touts its commitment to Art and Culture—even more than new evangelicalism did. That’s why I mentioned The Ooze and Todd Fadel. I fear the solutions we are about to buy.

But back to my point: Garlock, Rutter or Pärt? Obviously some of these aren’t even possible, but I’m not arguing practicality here, I’m arguing theory. Before we choose who we can afford, for instance, we have to argue who has something worth buying.

How do we stand on that front?

If a church uses Majesty Hymns, what sort of hymn is it likely to commission? If the church is full of people raised on Patch, what will they find “accessible”? If the contemporary Christian has no appetite for Bernard of Cluny, what will they seek?

Here are the considered opinions of one of the leaders of this movement:

http://www.sermonaudio.com/sermoninfo.asp?SID=820711246

Now let me go back and repeat. You asked me what I thought about this effort. I make no bones that I think it is worth doing, but I can’t say A without saying B: we have learned from history and from culture that it is necessary that we exercise considerable care that our light be not darkness.
PermalinkPermalink 02/26/08 @ 14:35

Reply to comment 4755 by dissidens

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