
If you have decided once and for all not to read An Experiment in Criticism, I would recommend your reading at least Chapter III, How the Few and the Many Use Pictures and Music.
I'm not advising you to read only a part, but if you are determined not to consider the whole book, I think you would profit by at least entertaining the distinction Lewis makes. Many people use pictures and music, a few receive them. Those are very different things.
We must not loose our own subjectivity upon the pictures and use them as vehicles. We must begin by laying aside as completely as we can all our own preconceptions, interest, and associations. We must make room for Botticelli's Mars and Venus, or Cimabue's Crucifixion, by emptying out our own. After the negative effort, the positive. We must use our eyes. We must look and go on looking till we have certainly seen exactly what is there. We sit down before the picture in order to have something done to us, not that we may do things with it. The first demand any work of art makes upon us is surrender. Look. Listen. Receive. Get yourself out of the way.
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The distinction can hardly be better expressed than by saying that the many use art and the few receive it.
This may sound spooky at first, but take your time and read it thoughtfully. This really is not as esoteric as any one quotation will make it seem. Lewis is talking to the layman and he prided himself on his ability to write to all sorts of readers. The distinction is easily grasped, and given the recent examples we've seen hereabouts, it is extremely serious.
It is one thing to belch, lean back with a fresh beer for the pregame and think uncomplimentary thoughts about those hifalutin types downtown at the concert hall. It is another thing to consider exactly how God used poetry in Revelation, and how art has been used throughout church history.
Are you prepared to live with the possibility that whether it is King David or Tersteegen or Watts, you are engaged in a profound abuse of God's creation?
What if it is true that our shepherds judge a piece of liturgy based on the components one appreciates, what keeps one's interest, and what enables meditation?
And consider the relationship between that attitude and the present problem, worshipers who come to worship demanding personal uses, preferences and opinions.
How's that workin' out for us?
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